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Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
Money and Magic in Early Modern Drama (Arden St. Hawkes**
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Money and Magic in Early Modern Drama (Arden St. Hawkes**

Money and Magic in Early Modern DramaAuthor(s): David Hawkes, Douglas Bruster, Lisa Hopkins

Format: Paperback

Publisher: Bloomsbury Publishing PLC, United Kingdom

Imprint: The Arden Shakespeare

ISBN-13: 9781350247086, 978-1350247086

Synopsis

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great witch craze. And the commercial, public theatre was emerging to great controversy as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms.

Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in thei.

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Money and Magic in Early Modern Drama (Arden St. Hawkes**

Money and Magic in Early Modern DramaAuthor(s): David Hawkes, Douglas Bruster, Lisa Hopkins

Format: Paperback

Publisher: Bloomsbury Publishing PLC, United Kingdom

Imprint: The Arden Shakespeare

ISBN-13: 9781350247086, 978-1350247086

Synopsis

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great witch craze. And the commercial, public theatre was emerging to great controversy as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms.

Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in thei.

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£27.61

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£36.13
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Product Description

Money and Magic in Early Modern DramaAuthor(s): David Hawkes, Douglas Bruster, Lisa Hopkins

Format: Paperback

Publisher: Bloomsbury Publishing PLC, United Kingdom

Imprint: The Arden Shakespeare

ISBN-13: 9781350247086, 978-1350247086

Synopsis

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great witch craze. And the commercial, public theatre was emerging to great controversy as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms.

Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in thei.

Product Specifications

General

format

paperback

Language

english

Brand

Bloomsbury Publishing PLC

series

arden studies in early modern drama ser.

type

textbook

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